Creative Prompts and Short Story Sub Opps

Creative Sparks

We spent a lot of lovely time on here in January exploring creativity through prompts. My philosophy holds that inspiration is everywhere and that if you provide yourself with structure and impetus you can forge that inspiration into a finished product. While we’ll continue to explore creativity here, I wanted to draw your attention to a fantastic blog by my Writing.ie colleague Elizabeth Murray. Her Wordspark blog is geared especially towards prompts and creative writing exercises, so she’ll regularly have something to get your mind working on something new.

Must read short story site

I’ve also recently discovered the fantastic short story focused site of Paul McVeigh. This site, with it’s very helpful at a glance layout gives details of submission opportunities, competitions and interviews with very interesting writers and champions of the short story form. It’s a really mine of information.

Sub opportunities

Both the new zine Number Eleven (no deadline given) and The South Circular (deadline April 26 so hurry!) are currently open for submissions.

Crannóg 32 – a new story in this great independent publisher’s new anthology

Crannóg is a well regarded and renowned literary magazine in Ireland that recently celebrated its 10th year. Established by writers Tony O’ Dwyer and Geraldine Burkes’ publishing house Words on the Street, Crannóg provides publication opportunities to International authors of short fiction and poetry.

Crannóg 32 launches tomorrow night March 1st upstairs at the Crane Bar in Galway at 6.30pm. There will be readings and quite probably music and if you are a writer or enjoy the written word you will be made very welcome at this enjoyable evening. I’m delighted to be included in Crannóg for the second time with a story ‘Letter’. The story tells the story of a lost relationship from the Letter’s point of view. I’m not able to go along to the launch this time but have enjoyed meeting Tony and Geraldine and the other writers included in their publications at these events. Many of the writers have gone on to great further success including A.J. Ashworth who later won Salt publishing’s Scott prize with her book ‘SOMEWHERE ELSE OR EVEN HERE’ and Niamh Boyce (I met Niamh at the WOW awards from the same publisher) who’s debut novel THE HERBALIST will be published by Penguin later this year.

Submissions

A publication credit from Crannóg is well recognised internationally. Crannóg have three submission periods. Submissions are open in the month of November for Feb issuem March for the June issue and July for October issue, so you can get ready now for the March submission opening and all the details are here.

Anthology

It’s a great idea before you submit to get a flavour for the anthology. Crannóg’s rates for their anthology are very reasonable – just six euros plus postage. As they put it themselves – just about 9 cent for each piece of writing. So if you’d like to read my story ‘Letter’ for 9 cent and also support the work of a fine independent press that is all about finding and giving opportunity to new talent, you can order a copy of Crannóg 32 here or make a subscription for a longer time. Crannóg is also available for the Kindle here.

Strange tales of love and desire

HeartPotato

Given the week that’s in it I thought I’d mention these tales of love and desire. It doesn’t come naturally to shout out about my stories but I’m proud of these and some of them have been published in reputable places and longlisted in major competitions and I’d be happy to have you read them. I’m working away on longer pieces and while I prepare to finish these long projects and send manuscripts away, it’s great to get encouragement and feedback on the way.

These mini story collections all have the theme of love and desire. The first is stranger than the second but they trace the desires and insecurities we all have. If you enjoy reading them please let others know.

STORIES TO MAKE YOU GO ‘OOH’

Then we would go to bed and I would lie against him, my skin cooling at the point where he touched me. On certain nights he would make love to me and I would feel the grit under my fingernails, the wash of my pleasure against his impenetrable skin.

‘My lover in a stone’

‘Sometimes when I came home from work and she was there before me with the telly on and her feet curled up and her thumb in her mouth and her twisting the guts out of her hair, I used to wonder why we were together. And were we together, or just taking slices out of each other as we slid past.’

‘Truth and Silence’

Such is the hypnotism of skin that I might have eaten you that day or absorbed you the way Venus Flytraps do and perhaps I did, you bit me on the lip when I stole that first kiss and your poison has been with me ever since.

(Originally published in THE VIEW FROM HERE)

‘The Singularity and the Octagonal House’

stories to make you go ooh-3‘Alison Wells’ short book of stories are wonderfully imagined glimpses into the lives of flawed, ordinary people, written with precise and clear prose. The language is imaginative and brings the reader to a place of wonder, with sentences like “Kicking, shouting, blowing bubbles up to the underside of the hard ice.” I was particularly taken with “The Singularity and the Octagonal House.” This story is resplendent. The inherent otherness of her writing is quite something and Wells’ knows her characters and how to engage the reader in their lives.’ 

Amazon UK   Amazon US/IRL

STORIES TO MAKE YOU GO ‘AH’

She knew what her lips would taste like; sherbet, bubblegum and sun.’

Life by the Lapels

Knives: that could cut out a piece of me or you, stupid teenage games where we nick each other and mix our blood. We could become blood lovers but it is too late for that. Forks: these are the directions we take when we open our mouths and words come out, clichés with no undoing, ‘I think we should…’, ‘I don’t know if I…’ ‘this isn’t what I…’ Spoons: upstairs in the blissful innocence of sleep, you make the shape of your wife; with your fingers on her back you feel her breathing.

‘Filch’

He grinned and raised the Burgundy. Miranda feared for the evening, for the passionate future. She didn’t like the way he fondled his fondue.

Longlisted in the Sean O’ Faolain competition.

‘Burgundy, Bolero and Chicken Supreme’

stories to make you go ahReading Alison Wells’ stories is a bit like climbing into the bathtub she describes in the first story of this fine collection, “Life by the Lapels,” and finding suds that resembled “floating icebergs.” The images are both comforting and jolting; for example, the way Wells describes two people in the story, “Filch,” who “traced each others faces and turned inside out.” Ah! Powerful writing, pleasurable reading.

Amazon UK  Amazon US/IRL

Deck the Halls: short story collection

Deck the Halls: Festive tales of fear and cheer is the latest offering from eMergent Publishing. These are speculative fiction tales with a festive theme. My story ‘Unfolding‘ is included which looks at what happens when a mother interferes in the pre-determined destiny of her child.

Buy a copy:
 Directly from eMergent Publishing here.
 
 

TABLE OF CONTENTS

Touched Rowena Specht-Whyte
Drench the School Benjamin Solah
Coming Home Rebecca Dobbie
While You Were Out Sam Adamson
Twenty-Five Rebecca Emin
A Jolly Pair Christopher Chartrand
Gays and Commies Graham Storrs
A Better Fit Jen Brubacher
Salvation Nicole R Murphy
A Troll for Christmas Jo Hart
Modraniht Kate Sherrod
Bosch’s Book of Trolls Susan May James
‘Til Death Do Us Part Emma Kerry
High Holidays Dale Challener Roe
The Headless Shadow Jonathan Crossfield
End of a Tradition Paul Servini
Weatherboy Nik Perring
Not a Whisper Lily Mulholland
Lords of the Dance Janette Dalgliesh
Through Frosted Glass Laura Meyer
Midsummer’s Eve Stacey Larner Yuletide Treasure Rob Diaz II
Broken Angel Jodi Cleghorn
A Golden Treasure Chia Evers
Fast Away Jim Bronyaur
Apprentices to Time Icy Sedgwick
Unfolding Alison Wells
Egg-Ceptional PJ Kaiser
Hail the New Trevor Belshaw
Perfect Light Dan Powell
Softly Sing the Stars Steve Cameron
Through Wind and Weather David McDonald

Stories to read on the train for nothing

You know how I love writing short stories and flash fiction. Well what I have today for you is a free download of one of my mini collections STORIES TO READ ON THE TRAIN.

Old lives collide on a train commute; a woman travels to meet her long distance lover; a train trip brings Eleanor back to face an old tragedy; a cliff edge commute above the sea lifts a man from the realities of his wife’s condition; a woman flees a controlling relationship. These tiny, precious flash fiction stories from a prize winning author challenge you to pause, to look at life under a magnifying glass, examine its ordinary glories, the twin globe of beauty and darkness in human experience. Of the stories in this mini collection, Entropy Held was part of the flash fiction medley that won the fiction prize in the New Big Book of Hope collection. Some of the stories in this collection will merge in an interrelated flash fiction novella.

These are very short stories that can be read in a single sitting (on the train or not!) or savoured one at a time. I’d be delighted if you have a read, share the links or gift the book to a friend and let me know what you thought. The more people who downloadthe book the better. You can read it on Kindle or FREE Kindle App. THANK YOU!

This is how happy I’ll be if you download Stories to Read on the Train!

Amazon.com

Amazon.co.uk

If you enjoy it I have two mini collections out Stories to make you go ‘ooh’ and Stories to make you go ‘ah’ and another on the way. Details HERE.

#fridayflash Finding the bog body

This is a short incident from my novel in revision The Book of Remembered Possibilities. A driver finds what turns out to be a bog body. This piece is one of three juxtaposed ‘moments’.

The bulldozer judders, throwing sound across the bog’s wide valley back to the jagged hills.

In the broad sweep of a valley, the heron’s wings beat determined across the fretful sky, the crickets sing. Over the ground moves the breath of dragonflies and moths, ticks and red ants. Small birds scratch among the lichen, tracking beetles.  A hawk hangs in the ether.

The driver takes slices off the skin of the bog.  He peels back the carpet of woven sedge, heather, moss, the wings of insects, feathers of bog cotton, leaves of clover. The blade of the bucket cuts into it, making a scar through the tapestry of green. It opens up the seeping interior, accesses the bog’s bitter ale…

The driver sees something in the ground. He throws the machine into neutral. He powers down the roar.  He jumps out of the cab onto the springy turf, the mud going into the grooves in his soles. The spring adds a lightness to his mood. This is a man who gets up before his wife and teenage children, puts his sensible sandwich and a flask of tea in the car and drives to the site as the light fills in around the edges of the landscape’s developing photograph. He plays Springsteen and Cohen and the Blades and Thin Lizzy. He has a good voice. It attracted his wife’s attention before she was his wife when he was just one more rugby head watching the match with his lager aloft. Later someone gave him a guitar and he sang Sarah and it happened to be her name. He thinks of his wife, leaning against the breakfast bar that sly wry smile on her face. He bloody fancies her still, the curve of her in those black jeans, she keeps herself well, no messing.

It’s a bitch of a day, devious. It started out calm and then those monsoon showers hit. The lads legged it back to the vans for a bit of a warm sup. He was going to follow them. The rain machine-gunned the window. He bent his head against it before he figured he was in the cab. He said he might as well continue while it poured. Then he spotted whatever it was. He goes to investigate. The sun comes out to make a fool of him and the drips are speed-bombing off the door as he reaches the ground. The rain slides into the run of his wrist, his hair is splattered.

The bog still stretches for miles, blends into the hills, runs up the face of it until the crags split it, solid heather hewn hunks hurtling off the rock face, clinging to the crag underside.

He almost trips on it, this coagulation of leaves, this what, this shrivelled thing, rag and bones. Above his head a hawk cries, dips his wing. The roar of lorries on the arterial is silenced. The hawk halts at this present moment. Waits for what has been found.

The business of self-publishing: Bookshop launches

Self-publishing is becoming a viable and accepted method for writers to either bring out a book that is hard for publishers to define, for traditionally published writers to relaunch old out of print titles electronically or through print on demand, for writers to supplement their traditional titles or fund their writing on the path to traditional publication, to write and publish creative, experimental and artistic work that may have a more niche following. To be commended and recommended, self-published work needs to be of high quality and the self-publisher needs to apply the principles of professionalism and good business.

In this weeks article on writing.ie The Business of Self-Publishing, I talk about how to make self-publishing work, through strong products, marketing savvy, funding initatives and more. Take a look at the full article here.

I recently launched the paperback of Housewife with a Half-Life in a bookshop. There are pros and cons for the self-publisher in taking on a Bookshop launch but overall I feel that it’s benefits outweighed any drawbacks. I recently wrote an article exploring the merits of a bookshop launch.

To Launch or Not to Launch: A second opinion

When invited to hold a bookshop launch for my debut self-published book Housewife with a Half-Life in a local store, I thought about the pros and cons. I’m here to say why, on balance, that while there are many arguments against a bookshop launch for the self-publisher, I’m glad that I went ahead.

First, the facts in black and white:

Having a bookshop launch is exhausting.

These are some of the tasks that need to be done ahead of time:

Organise books: While CreateSpace, the POD company I used, have many distribution channels, the Irish ones are not included in this. So it was necessary to send off (and pay for) a consignment of books upfront and then organise to get them to the bookshop.

Arrange publicity: I created a press release and emailed as many of the local papers, radio stations etc as I could. I also sent a copy of the book out to selected media people. I invited people through text, email and social media. This was a big job. I also organised a speaker, some refreshments etc.

These activities were all done in tandem with an online launch and blog tour marketing and publicity were all encompassing.

This article is guest posted on Catherine Ryan Howard’s blog. For the rest of the article, click here.

I’d appreciate your thoughts and experiences on your self-publishing journey and if you’ve done a ‘real-life’ book launch whether or not you found it useful.

In the meantime I’m bringing out several mini-collections of my short stories, some of which were shortlisted in prizes such as the Bridport, Fish and Hennessy New Irish Writing XO awards. Here’s what I’ve released so far. I’ll let you know how this venture goes.

New short story collection, #Fridayflash and Smashwords news

Self-published in a library

Smashwords have just announced an exciting new library initiative for their bestselling titles. Read more about it here.

Publishing is in a state

Here’s a very very interesting article about the state of publishing today and the role of ‘indie’ publishers in that.

Today’s #Fridayflash

Today my #fridayflash short fiction is on the amwriting website which features daily blogposts from authors and fiction on Fridays. My story this week is called Brown and Blue, you can read it here.

Mini short story collections

Many of you who’ve read the blog would have read my #fridayflashes and other fiction. I have many many longer short stories, some published in various magazines and some that have never been read. I’ve decided to release a few mini collections for Kindle ebook and app. Other formats will follow. The first one is called ‘Stories to make you go ‘ah’. There are three stories about love, life and desire. One of the stories in the collection was longlisted in the Sean O’ Faolain prize.

Stories to make you to ‘ah’ UK

Stories to make you go ‘ah’ US/IRELAND

Celebrating its announcement: a Higgs Boson short story

I have leapt out of my retreat upon the news that scientists at CERN are announcing results consistent with the discovery of the Higgs Boson. My school level Physics means that I’ll have to leave it to others to explain but here is a story based around the concept of the Higgs Boson, the particle that is said to add matter to other particles and here’s a link. What is the Higgs Boson.

This story was part of the Higgs Boson anthology, the brainchild of writer Marcella O’ Connor.

Supersymmetric: Almost but not quite

The particular memory of Alice was enduring, like a rock carved out with a hammer and chisel, inconsequential shards stripped away to reveal only the essential. There was nothing that she and Noel had liked more than sitting down together on the seafront with a big bag of fish and chips watching the waves.

She was a beauty, inside and out. They had married young, stayed together. They had settled, Noel supposed, for life, for each other, but it was the settling of earth, of something substantial and comforting, soil spilling into crevices, ready. They’d had a daughter, Ava, born in the Spring, right at the start of their marriage. All beginnings.

Alice had believed in ghosts. She saw them early on the landing or in one of the east facing bedrooms. She told him that she could walk through the ghosts or that they streamed through her on bright mornings as she stood looking out of the window at the long, quiet fields of strong grass and meaty ploughed ground. He thought that it was just those dust motes, fairies – Ava called them – but Alice insisted that they existed, though, unseen. It was how he felt about God. You didn’t need to search for him.

He was just there, omniscient, as the catechism said, ‘I am with you always, yes, even till the end of time.’

Money was tight; he’d worked at a variety of things, changing his stated occupation like a man shedding skins. His Dad was almost at retirement age. He’d used to work in the Switzers store back in the 1980’s before it became another entity entirely although remaining in the same location. Lately he and his Dad did odd jobs for people, had a van, moved stuff from A to B and back again like fireflies zipping across the Irish evening.

It was one March that the van was involved in a large head-on collision on the M50 that nearly took him from Alice. Well it did for a while. He spent a month in a coma, an in between place where he was neither dead nor truly alive. And she sat by his bedside knowing that anything could still happen, that he could be returned to her, whole and healed, that one morning he might open his eyes, move his dry lips and pin himself to the world and to her with the weight of lucid words, of recognition. Alternatively he might just disappear, untraceably sinking into the void without giving off any evidence of existence. Once it was all over and he was back home, she confided in him that each time she went into the hospital – a massive, sprawling building – she could hear her heart thudding in her head because she never knew exactly what she was going to find.

Alice was the kind of woman who saw the positive in everything. She made the best of imperfection, regarded it, and consequently him, with a wry compassion.  So she made a policy of encouragement and care. As they sat together in the evenings she would often take both of his hands and tell him what a fine man she thought he was. But all he had done worth doing was loving her enough to stay faithful and make the most of what the world threw at him.

But she left him. Cancer, of course. Good cells and bad cells faced in opposition. It was only months, quicker than either of them had expected.

He lost weight, although he thought that he was eating round about the same as usual. Noel and his daughter kept the same mealtime routines. They laid the table with the placemats and coasters, the way Alice used to, took glasses from the cabinet that she had put away, exchanging her touch for theirs. They went on as if nothing at all had changed, as if she would show up at any minute. They made lasangna, roast chicken and stew and ate it. But still he grew thinner. It was as if Alice had somehow given him mass just by being there.

Time went forward, against logic almost, he didn’t know if the ticking of the clock brought him further from her, or closer. Despite the catastrophe of losing her, the kind of person Alice had been, and all that she had been to him remained and the fire of sunsets did not enrage him or wring tears. And the dusk was a soft blanket of nostalgia, cosying up the impending night.

The night was black though. Black like the coal Noel’s grandad used to hock around Dublin on a horse and cart back in the 50’s, as black as his hands and face before his wife handed him the soap, ironically coal tar. As black as the ink of a startled octopus from those David Attenborough shows Alice had been fond off. As black as his socks with a hole in them she used to sew while watching. The octopus has three hearts you know. Yes, No and Maybe.

As black as inkpots, inkjets, as black as typewriter ribbons and the Gutenberg press, as black as the ink of a trillion writers documenting humanity. As black as old blood, as black as if it was a night without stars, without the cold rock of the moon shining, as black and long as a suicidal Scandinavian’s midwinter night, without the aurora, because with the aurora, everything changed. There was pole dancing, magnetic strips, a feather boa trailed seductively across the skies with a raunchy joie de vivre. But extinguish the remembrance of light from your mind. Flip the mirror. See the old black and white TV make your entertainment disappear through a collapsing pinprick. As black as space. Zero gravity. Where there is nothing left but the sense of your own fear. Nothing sucks. Black nothing.

The astronaut flailing in the solar wind. Cut adrift. ‘Like that song’ Leon was thinking –  David Bowie in his Ziggy phase. Space Oddity. Celia used to be crazy about it. The guy was never going to make it home. Hope crumbling in the insides of him, his courage inverts to reckless abandon. His silences shrieking across the Anti-verse. Black like the Goth Leon used to be, listing to the Cure on the floor of dimly lit bedsits with his hand in spilt oil tresses of aging Morticia Addams lookalikes. Though black was night the

mornings made Leon angry, shepherds warnings shaking their ripped fists through the flimsy curtains. Mornings at the end of unslept nights, clock ticking nights, stopped clocks, writing publishable and citable papers, wrestling concepts, elucidating. Head on hands. In the dreaded dead of, losing Celia was like tearing a hole in the fabric of the universe. She would have laughed at that, with her hand on her hip and her lipstick like an on fire sunset. What had she been to him? He couldn’t grasp it. He didn’t know.

Working at the university, he’d put on weight over time, although he didn’t know how, he skipped lunch, had crisps for dinners and slept through breakfast. He drank coffee, black, with three sugars instead. But usually, instead of glucose, he fed on quark-gluon plasma, the primordial soup from which all particles emerged. They were looking for the Higgs Boson, the mass particle, the particle that lends weight to all other particles.

They were like two opposing forces, him and Celia. He was a Cancer, she was Aries. Neither of them believed in astrology but it gave her yet another reason to dump him, quicker than expected. It was only months.

She had a way of bringing people down, undermining what was good. To her, he was a yawn inducing boffin. He took her hands and tried to explain his fervour, how Feynman’s legendary work had brought him into the field. She let go of his hands. ‘Be Feynman then, she said, if you want, another passionless man chasing after proofs.’ He wanted to prove her wrong, to say how ardently Feynman had loved his first wife, his childhood sweetheart who died early, how he had put the heart into science. Because of him Leon had wanted to achieve something extraordinary.

Passion, paid off, out of several Phd students in his year, he was the man who became involved in the collision project in Switzerland. He’d phoned his Dad to share the good news but his Dad didn’t really get it, or want to, they’d never been that close. His Dad was loaded; spending money was his ultimate satisfaction. He couldn’t see what pleasure there could possibly be in just finding things out.

In March they started up the Large Hadron Collidor. Physicists were attempting to break up the quark-glucon plasma and find a spectrum of particles and sub atomic particles that could answer fundamental questions about the forces and interactions between electrons, quarks, neutrinos and other sub atomic particles. They were hoping to gain evidence for supersymmetric particles which mirrored The Standard Model particles. These supersymmetric particles might even include possible candidates for dark matter. Leon had entered CERN’s massive building each day with his heartstrings strumming the tune of possibility, never knowing what had or was about to be found.

When things were good between Leon and Celia, they would stand leaning against each other on the landing or in the bedroom in the early morning before she left for work. He would tell her that 50 trillion solar neutrinos pass through the human body every second. And you couldn’t feel a thing. It was the closest thing to spirits from another world. Leon thought it was pretty bloody awesome, although Celia took some convincing. Now he was looking for the God particle and he would keep looking, they all would, until they found it, until they could be sure it existed.

They had already found the first particle they were looking for. It was known as a beauty quark. Then the first sub atomic particle, W, became evident. Things emerging, coming out of the soup. At one point there’d been a question mark whether Celia was pregnant. It was Autumn, the leaves thickening on the ground, sweet rotting. They must have been mistaken, he couldn’t even remember the details now, the idea just faded away as if it had never been real. When they split up he felt old, jaded. With Celia it had always been about endings.

If Celia had still been around, she and Leon could have sat chilling, riffing about particle waves, enjoying the concept of fission chips, where the hammer and chisel of the LHC split shards from the Universe’s stone, shards that flew and held the light for instances, revealing everything – but nothing about Celia – before they quickly disappeared into particle dust.

[Copyright & all rights you could possibly conceive of strictly belong to Alison Wells]