Month: April 2014

Literary Orphans, Stinging Fly and Glass Woman prize finalist

Literary Orphans

I’ve just put up a new post on Writing.ie about the  beautiful Irish themed issue of The Chicago Based mag Literary Orphans

 Including fiction, essays and artwork from a wealth of Irish contributors it’s beautifully put together and was launched at Easter. In conjunction with Editor in Chief Mike Joyce, this Irish issue was guest edited by Westmeath native (and now Californian resident) James Claffey whose fabulous debut short story collection Blood a Cold Blue was released earlier this year.

I was delighted that my Fish shortlisted story All that Thinking was included in the issue and you can read it here

The Penny Dreadful

Cork-Based The Penny Dreadful magazine are also featured in the Literary Orphans mag, they are an innovative and vibrant lit mag whose submission deadline for fiction and poetry ends May 4th.

To read more about Literary Orphans and the Penny Dreadful sub opp see here.

 

Stinging Fly Launch

Apart from a dreadful flu which has delayed plans to bring out some ebook publications on headspace and creativity based on several years of blogposts, I’ve had some lovely highlights over the past month or so.

One of these was reading at the Stinging Fly launch on March 27th which was a real honour. I read from my flash fiction Eat! and apart from the fact that I should have brought my reading glasses, it was a terrifically enjoyable night, attended by almost 100 people with readings also from Dimitra Xidous who has just launched Keeping Bees with Doire Press) Patrick Chapman, June Caldwell and David Mellerick Lynch.

To read more about the issue, see here

Glass Woman Prize Finalist

From my sick bed, I received the lovely news that my short piece Anise Fish and Colin Behind the Glass had been selected by the judge of the Glass Woman prize and that I was one of ten finalists. What was really nice was that Beate Sigriddaughter had included me in the list based on her noticing the piece from her reading across the web (the piece was posted on Fictionaut) rather than through a competition entry. As every writer knows, such a boost of recognition is wonderful for the writer beavering away mainly in isolation. Both the piece selected and the flash fiction published in the Stinging Fly are from my novel in progress Eat! so I hope it augurs well for the future!

Another aspect to consider is that posting your work on your own site as part of Fridayflash or on peer review sites such as Fictionaut is a great way to connect with other writers and also extend your readership. We all love when someone enjoys our work and I’ve certainly discovered new writers through free posting sites such as I’ve mentioned.

To discover the other woman writers honoured with a Glass Woman Prize win or nomination, please see here. You’ll find links also to the pieces nominated including Anise Fish and Colin Behind the Glass.

Bristol Prize

Just a last word to say that the Bristol Prize short story competition closes this Wednesday. For submission guidelines see here

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Why write: A more Humble and Sustaining Path

I’ve just finished Douglas Coupland’s Eleanor Rigby, a very touching book about human condition and it’s made me understand what I want to do as a writer. It’s not just about me finding a way to unburden and express myself but it’s also important to me to pay witness, yes to speak for the ordinary people or speak through the mouths of ordinary people and to touch others. When I wrote Housewife with a Half-Life I felt it was a touching book and that it said some human things and with its follow up and the other books I’m working on I want more than anything to continue that, to make entertaining books but those that at their heart are about people  just trying to find their way.
I think that’s what I saw in Douglas Copeland and what I need to say over and over is this generation is all about finding ourselves and being who we need to be and not sacrificing ourselves for others and yes it is so hard when we reach out and care for others and when they don’t reach back or sometimes do even more, turn against the care and twist it round and make it nasty. Or when society deals unfair blows, lets banks destroy lives, take away supports from those who need them most. But turning outward and finding the joy in that is what really sustains us, and turning away from the idea of the troubled artist to one who wants to connect and testify to life is what can give us a more sustaining ambition.
I heard a lovely piece on the radio about Alice Munroe who recently won the Nobel Prize for writing. All she wrote all her life was local stories about ordinary human things. She didn’t try and follow the market or trend, she could not explain her stories she said, she just reached in to what was real and did it. The writing and the witness was the thing, for her and how lovely that her writing was, in the end, recognised at the highest level.
What I want to do, have always wanted to do is to spread some comfort and to express what is uplifting and admirable in the world against the juxtaposition of the struggles we face. This is exactly where books such as Eleanor Rigby, The Fault in our Stars and the Unlikely Pilgrimage of Harold Fry are pitched, loneliness, connection, disaster and optimism side by side.
To try and stay true to exploring these human fundamentals is a more humble aim for our work. It takes the worry and the hype away from writing because if you stay true to that thing, that idea of humanity that that you want to get through, this is the purpose of the books, the focus of it, then that will give a path through. Technically I want to make characters in the book real, I want us to care about the people more that the ideas behind the books, I want the human to come through – even when I talk in certain books, about possible aliens and UFOs, it’s still all about humans. Motifs such as Voyager travelling out of the known universe now with all these human artefacts on board, going just to see what’s there are very relevant and striking to me. We are all Voyager, travelling across our human lives and carrying the markers of our lives with us.
We like the idea of this cabin away from the world without society beating in because society and it’s preoccupations and inequalities becomes a fog, creates chains, keeps us from the quietness of the things that are important. I want my books to be cabins that people can go into and find these human stories, stories about our frustrations and concerns, our strange psychologies. Life is the thing and the writing bows down to it. It is a more humble starting place, it may be a more vocational philosophy that others trying to develop a writing career are comfortable with. It does not preclude all ambition to be published though or to be known, but it’s main focus of making and testifying takes, in every instance of writing presence and practice, the external worries away. It’s then about you and the clay and the shapes you want to make, not whether others will like them just now.

Related: Dan Holloway’s new book Self-Publish with Integrity helps you explore what you want from your writing

More thoughts on maintaining the Integrity of your project https://alisonwells.wordpress.com/2013/04/23/taking-the-time-for-the-book-you-want-to-write/